Article: ‘Agung Kurniawan: Tackling Taboos’

Agung Kurniawan, Very Very Happy Victim, 1996
Agung Kurniawan, Very Very Happy Victim, 1996
Depicting prisoners hanging by their feet, bound with ropes but still smiling like clowns, Very Very Happy Victim (1996) reflects people’s inability to recognize the importance of free expression for their lives, instead tolerating torture. Read more..

Article: ‘Sawangwongse Yawnghwe: Painting the Unstable State’

Sawangwongse Yawnghwe, Morphine, 2019, oil on canvas, 45 x 53 cm.
Sawangwongse Yawnghwe, Morphine, 2019, oil on canvas, 45 x 53 cm.

Since 2015, Sawangwongse Yawnghwe has been producing art under the banner of Yawnghwe Office in Exile, a fictive museum he founded while searching for alternatives to the histories propagated by state institutions. Focused on unravelling suppressed traumas and recovering personal and collective identities from the neglected margins, the painter has an antagonistic relationship to hegemonic state narratives, one that is rooted in his familial past.

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Review: ‘Archive Matters: Fiona Tan at the Ludwig Museum’

Exhibition: Fiona Tan 'GAAF' at Museum Ludwig, Cologne May 4 - August 11, 2019.

Looking at how women are framed in these photographs, and with Griselda Pollock’s Encounters in the Virtual Feminist Museum (2007) in mind, I have to wonder why Tan decided to retrieve the Agfa images, how they relate to her artistic practice, and what this tells us about the position of women in museums today.

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Travelogue: ‘Notes on a Visit to the Kala Bhavana in Shantiniketan’

12_Tagore Brochure For Sale

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Travelogue: ‘Notes on a Visit of the Haji Widayat Museum in Central Java’

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Article: ‘Fighting Colonial Claims to Power’

Agus Djaya and Otto Djaya in Amsterdam 1947-1950

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Article: ‘Meeting Oei Hong Djien in Magelang’

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Artist Profile: ‘Yin-Ju Chen – Arcane Analyses’

Yin_Ju_Chen @ Kadist Foundation

Yin-Ju Chen researches the forces behind what we desire and looks for answers in astrology, science, pseudoscience, mythology and philosophy. Read more..

Artist Profile: ‘Pallavi Paul – Screen Studies’


The heat was almost paralyzing on the day I first met Pallavi Paul in the gardens of the Crafts Museum in New Delhi, about two years ago. Seemingly unaffected, she was full of energy and immediately delved into film theory, history and space travel—all passions that inform her video-art practice. Read more..

Article: ‘Het ruangrupa netwerk – Voor een sociaal, activerend en begripsvol Sonsbeek’

Ruruhuis Arnhem April 2016

Enkele maanden geleden fietste Jan Willem Westendorp door Arnhem tot hij plotseling een oproep zag die hem aansprak: ‘From competition to compassion’. Read more..

Review: ‘A New Big Museum of Modern Art’

Recently the San Francisco Museum of Modern Art reopened after a period of renovation and expansion lasting about three years, adding almost three times as much exhibition space to its former building and making it one of the biggest museums for modern art in the USA.

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Review: ‘After Party in Shanghai’


‘Do you go out a lot?’ This is one of the banal but frequently asked questions that people in their late-20s or 30s pose when we casually meet each other for the first time. Read more..

Interview with Amol Kisan Patil: ‘About Sweep Walking’

The work Amol K Patil contributed to the Kamarado exhibition finds its basis in his long-term research project about Indian middle class life. Like most of the middle class people in India, Patil grew up in a chawl; the 4-5 story houses that were built in Mumbai to host workers in the 1900s.
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Review: ‘Prospect.3 – Notes for Now’


‘Anything could happen here because – Because nothing’s happening here right now?’ reads the text on one of Lisa Sigal’s archival digital prints from the series Home Court Crawl (2014). The phrase, transposed over an image of a vacant house, captures the New Orleans spirit pretty well.

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Travelogue: ‘Road Trip to Crow’s Shadow’

It was rainy and cold the morning I went on my four-hour drive from Boise, the capital of Idaho, to the printmaking institute Crow’s Shadow on the Umatilla Reservation in Oregon. Clouds hung over the tops of the Blue Mountains and raindrops covered my windscreen with a sheet of Pacific Northwest rain. The radio was playing Mac Demarco’s Salad Days and the wipers weren’t doing their job well.  Read more..

Travelogue: ‘April 2014 in India’

At the beginning of April, 2014, I went on a three-week research trip to India. On the first part of the journey, I travelled with Jelle Bouwhuis to New Delhi, Baroda and Bombay. On the second part, I went to Bengaluru, Kolkata and again to Delhi.

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Book: Project 1975 – Contemporary Art and the Postcolonial Unconscious

Project 1975 started as a two-year program of Stedelijk Museum Bureau Amsterdam. The project was set on exploring the relationship between contemporary art and postcoloniality, which gains more and more relevance to artists and thinkers in a context of a globalizing art world. Read more..

Travelogue: ‘In Indonesia with KUNCI’

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Interview with Apichatpong Weerasethakul: ‘A Dream Is Like Another Life Recurring’

With his Primitive exhibition Apichatpong Weerasethakul ties into a long-standing tradition of artistic involvement with the notion of the primitive. His work is among those artists’ practices that motivate a reactivation of the discourse about the primitive in relation to contemporary art and geopolitical contexts. Read more..

Review: ‘The Global Contemporary: Art Worlds After 1989’

‘The Global Contemporary: Art Worlds After 1989’, curated by Hans Belting, Andrea Buddensieg and Peter Weibel for the ZKM Museum of Contemporary Art in Karlsruhe, gave an overview of what the curators considered to be global art. In order to disclaim the proposition that art is an exclusively Western affair, the exhibition showed that artists from all over the world now contest […]


Review: ‘Bamako Encounters – The 8th African Photography Biennial’

For one month, between November 7 and December 7, the 8th African Photography Biennial took place in Bamako, Mali’s dusty capital. In its early editions, the Biennial mostly presented Africa’s neglected history of photography. Over the course of time, however, it also developed into a platform for artists’ views on contemporary Africa. The Bamako Encounters, […]


Article: ‘George Osodi – The Ethical Revolution’

As this year’s Bamako Biennial demonstrates, photographic practice has become established in African culture and some African artists working with photography have developed a particular idiom which enables them to advance their causes. One of them is George Osodi, an artist who has taken the relation between Europe and Africa as a point of departure. Read more..