It was rainy and cold the morning I went on my four-hour drive from Boise, the capital of Idaho, to the printmaking institute Crow’s Shadow on the Umatilla Reservation in Oregon. Clouds hung over the tops of the Blue Mountains and raindrops covered my windscreen with a sheet of Pacific Northwest rain. The radio was playing Mac Demarco’s Salad Days and the wipers weren’t doing their job well.  Read more..