The Mindful InterventionSeptember 2018
Kamarado, a curatorial collaboration between Amsterdam and Bombay, brings together a diverse group of artists from various regions of the world. The conceptual core around which all these individual voices and artistic practices revolve is the idea of the comrade, a term that originally meant “one who shares the same room.”
The members of Tromarama are among the generation of artists who first hand experienced the impact of the digital revolution in Indonesia during the early 2000s. The internet has not only shaped the way they think, but also how they work.
In 2014, I was Quinsy Gario’s curator for his contribution to ‘Transfigurations – Curatorial and Artistic Research in an Age of Migrations’, the exhibition in MACBA. The figure of Zwarte Piet visits the Netherlands every year in November, and has done since time immemorial—at least in the public imagination. In summer 2011, the artist Quinsy […]Read more...
Made in CommonsNovember 2013
Made in Commons is a collaborative project of KUNCI Cultural Studies Center in Yogyakarta, Indonesia, and Stedelijk Museum Amsterdam. Ten artists and artist groups based in the Netherlands and Indonesia take part in this multimedia exhibition. Read more..
The Memories Are PresentJune 2012
The group exhibition ‘The Memories Are Present’ with Artun Alaska Arasli, Pauline M’barek and Christoph Westermeier in Stedelijk Museum Bureau Amsterdam interrogates the objectives that determine institutional divisions and invites its visitors to do so as well. Read more..
Tala Madani – The JinnJanuary 2012
‘The Jinn’ presents a powerful and elaborately constructed new body of painted, drawn and animated work by Tala Madani. Arab folklore and Islamic teachings depict the jinn as mythological creatures with magical powers who occupy a world next to our own, in which they intervene without restraint. By tracing the potential intrigues of these demons, Madani scrutinizes human obsessive behaviour and then skilfully sketches her observations – distinctly peppered with a dose of fantasy – upon canvases and sheets of paper. Read more..
Vincent Vulsma – A Sign of AutumnOctober 2011
By employing strategies of spatio-temporal montage, Vincent Vulsma brings together objects and patterns taken from their contexts in ethnographic collections and the canons of modernist design and photography, deliberately moving back and forth along the lines between what is classified as commodity, art or ethnographic object. Read more..
In-between ThingsJune 2010
The title of the group exhibition “In-between Things” refers to some of the characteristics shared by the works on display, mostly sculptures, which combine various materials and practices. Moreover, these works share an interest in intercultural relations and their political imprints. Broadly speaking, ‘In-between Things’ addresses the theme of globalization and its relation to contemporary art. Read more..