Agus Djaya and Otto Djaya in Amsterdam 1947-1950
Fighting Colonial Claims to PowerJune 2018
Yin-Ju Chen – Arcane AnalysesSeptember 2016
Yin-Ju Chen researches the forces behind what we desire and looks for answers in astrology, science, pseudoscience, mythology and philosophy. Read more..
Pallavi Paul – Screen StudiesJuly 2016
The heat was almost paralyzing on the day I first met Pallavi Paul in the gardens of the Crafts Museum in New Delhi, about two years ago. Seemingly unaffected, she was full of energy and immediately delved into film theory, history and space travel—all passions that inform her video-art practice. Read more..
Enkele maanden geleden fietste Jan Willem Westendorp door Arnhem tot hij plotseling een oproep zag die hem aansprak: ‘From competition to compassion’. Read more..
A New Big Museum of Modern ArtMay 2016
Recently the San Francisco Museum of Modern Art reopened after a period of renovation and expansion lasting about three years, adding almost three times as much exhibition space to its former building and making it one of the biggest museums for modern art in the USA.
Amol Kisan Patil – About Sweep WalkingDecember 2015
The work Amol K Patil contributed to the Kamarado exhibition finds its basis in his long-term research project about Indian middle class life. Like most of the middle class people in India, Patil grew up in a chawl; the 4-5 story houses that were built in Mumbai to host workers in the 1900s.
Prospect.3 – Notes for NowDecember 2014
‘Anything could happen here because – Because nothing’s happening here right now?’ reads the text on one of Lisa Sigal’s archival digital prints from the series Home Court Crawl (2014). The phrase, transposed over an image of a vacant house, captures the New Orleans spirit pretty well. Read more..
Project 1975 started as a two-year program of Stedelijk Museum Bureau Amsterdam. The project was set on exploring the relationship between contemporary art and postcoloniality, which gains more and more relevance to artists and thinkers in a context of a globalizing art world. Read more..
With his Primitive exhibition Apichatpong Weerasethakul ties into a long-standing tradition of artistic involvement with the notion of the primitive. His work is among those artists’ practices that motivate a reactivation of the discourse about the primitive in relation to contemporary art and geopolitical contexts. Read more..
The Global Contemporary: Art Worlds After 1989September 2012
‘The Global Contemporary: Art Worlds After 1989’, curated by Hans Belting, Andrea Buddensieg and Peter Weibel for the ZKM Museum of Contemporary Art in Karlsruhe, gave an overview of what the curators considered to be global art. In order to disclaim the proposition that art is an exclusively Western affair, the exhibition showed that artists from all over the world now contest […]Read more...
For one month, between November 7 and December 7, the 8th African Photography Biennial took place in Bamako, Mali’s dusty capital. In its early editions, the Biennial mostly presented Africa’s neglected history of photography. Over the course of time, however, it also developed into a platform for artists’ views on contemporary Africa. The Bamako Encounters, […]Read more...
George Osodi – The Ethical RevolutionJanuary 2010
As this year’s Bamako Biennial demonstrates, photographic practice has become established in African culture and some African artists working with photography have developed a particular idiom which enables them to advance their causes. One of them is George Osodi, an artist who has taken the relation between Europe and Africa as a point of departure. Read more..